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Films that Promote Peace & Nonviolence |
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All Quiet on the Western Front
All Quiet on the Western Front DVD
Rated: NR
Starring: Richard
Thomas, Ernest
Borgnine, et al.
Director: Delbert
Mann
Reviews
From All Movie Guide
Years after directing the classic Marty
(1955), Delbert
Mann became a creator of prestige TV movie projects, none more daunting than
his adaptation of All Quiet on the Western Front (1979). Richard
Thomas stars as Paul Baumer, a teen who, at the urging of zealously
patriotic teacher Kantorek (Donald
Pleasence) enthusiastically enlists to fight for Germany in WWI, accompanied
by several school chums. After training at the hands of the sadistic Corporal
Himmelstoss (Ian
Holm), Paul and his friends head for the front. There, they discover that
war is a bloody, deadly business, although they are heartened by the presence of
their commander, wily veteran Stanislaus Katczinsky (Ernest
Borgnine). When a French soldier jumps into the bomb crater where Paul has
taken refuge one night, he is forced to stab the enemy, then must watch the man
die in agony. This incident and the violent deaths of his friends convince Paul
that war is a senseless exercise. One of the most respected anti-war novels ever
written, the book resulted in the German citizenship of author Erich Maria
Remarque being revoked by the Nazi Party. Though a 1930 film adaptation by Lewis
Milestone was widely beloved by fans of cinema and the source material,
Mann's TV movie was well received, earning a Golden Globe and Emmys for Borgnine
and Patricia
Neal, who played Paul's mother. Karl Williams
Taken from the novel by Erich
Maria Remarque, All Quiet on the Western Front is a devastating portrait
by Delbert Mann (Desire Under the Elms, Marty) of a small group of
German soldiers throughout the World War I.
The star-studded cast is headed by Richard Thomas (The Waltons) as
Paul Baumer, and includes such award-winning actors as Ernest Borgnine, Ian
Holm, and Patricia Neal. As both narrator and star, Thomas occasionally seems to
reincarnate his familiar John-Boy persona, but creates a character that has many
more levels than that television alter ego. Watching Paul as he watches all of
his high school buddies die is a highly emotional experience. He returns to his
home a different person, conflicted in his feelings about the Army and war,
evolving from an idealistic schoolboy to a fearful and humble veteran.
The scenery and costuming in this period piece are well done, and surely
contributed to its winning the Golden Globe for Best Motion Picture Made for TV.
Also contributing to the greatness of the film are the exceptional
cinematography and special effects that, while realistically gruesome, truly
emphasize the horrors of war. --Zachary Lively
Like the 1930 version of this film, All Quiet on the Western
Front is about a young German boy, Paul, who eagerly signs up to fight for the
"Fatherland" during WW1. During the 4 years he fights in the War, he
learns that war is not as heroic as his teacher made it out to be. This movie is
very well acted and it is a touching movie, even for a war film. Like the 1930
version, it is an interesting WW1 flim seen through German eyes.
All Quiet on the Western Front
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Paul Baumer enlisted with his classmates in the
German army of World War I. Youthful, enthusiastic, they become soldiers. But
despite what they have learned, they break into pieces under the first
bombardment in the trenches. And as horrible war plods on year after year, Paul
holds fast to a single vow: to fight against the principles of hate that
meaninglessly pits young men of the same generation but different uniforms
against each other—if only he can come out of the war alive.
"The world has a great writer in Erich Maria Remarque. He is a craftsman of
unquestionably first trank, a man who can bend language to his will. Whether he
writes of men or of inanimate nature, his touch is sensitive, firm, and
sure."
THE NEW YORK TIMES BOOK REVIEW
The War Times Journal has a different perspective on this film:
by Lewis Milestone, 1930. With Lew Ayres. One of the Golden Age's great
overrated films, All Quiet gives a very Americanized view of the German war
machine, and an inaccurately pacifist one at that. The portrayal of a group of
strong young Germans in 1914 engaging in a waffling "why are we here"
discussion is questionable at best. The German Army of this period had 100 years
of straight victories behind it, and the regiments that marched into Belgium and
France were utterly confident of another victory. In any case, the strict
discipline of the units would have made any type of talk considered to be
defeatist an astronomical rarity so early in the war. In these respects and many
others, the movie falls gravely short of reality. It is a modestly good anti-war
film, but one that is unconvincing because it fails to accurately portray its
subject.
All Quiet on the Western Front by Erich Remarque would be an excellent choice. It is also about WWI. It is a very powerful story. Hitler banned it in the 1930's because he feared that it would not allow him to build up his armies. It is based on German soldiers, who were at that time the "enemy" of us Americans.
May be the classic WWI anti-war movie. You might want to watch it first to determine if it is age appropriate, because it has war related violence in it, if I recall correctly, it's an old film, so not too graphic, but a very powerful film. It's a hard core lesson, but definitely anti-war.
The movie may be old but it has lost none of its power. Hopefully your sons won't be turned off by the black- and-white picture. The book is not too difficult, either, and perhaps your 12-year-old could understand it if you read it with him.
It's been many years since I have seen it, but it is based on a German novel, and is a classic antiwar movie.
Is the classic German novel and film about the futility of WWI. There is an extensive English literature on the subject: many came back from the war totally disillusioned.
TV
Guide Review on the the 1930 film:
Set during WWI and told from the German point of view, the story centers on Paul Baumer (Lew Ayres). A sensitive youth, Baumer is recruited by a war-mongering professor (Arnold Lucy) advocating "glory for the Fatherland." Paul and his friends enlist and are trained by Himmelstoss (John Wray), a kindly postmaster turned brutal corporal, then sent to the front lines to taste battle, blood, and death. Paul comes under the protective wing of an old veteran, Katczinsky (Louis Wolheim), who teaches him how to survive the horrors of war.
The film is emotionally draining, and so realistic that it will be forever etched in the mind of any viewer. Milestone's direction is frequently inspired, most notably during the battle scenes. In one such scene, the camera serves as a kind of machine gun, shooting down the oncoming troops as it glides along the trenches. Universal spared no expense during production, converting more than 20 acres of a large California ranch into battlefields occupied by more than 2,000 ex-servicemen extras. After its initial release, some foreign countries refused to run the film. Poland banned it for being pro-German, while the Nazis labeled it anti-German. Joseph Goebbels, later propaganda minister, publicly denounced the film.
ALL QUIET ON THE WESTERN FRONT received an Academy Award as Best Picture and Milestone was honored as Best Director. Originally released with a running time of 140 minutes, the film has suffered many cuts over the years with some prints running as short as 90 minutes. The most recent videotape release restores the film to 130 minutes of running time. An interesting, but now-forgotten, sequel titled THE ROAD BACK, directed by James Whale (THE BRIDE OF FRANKENSTEIN), was made in 1937. The original was remade as a television movie in 1979, with Richard Thomas unsuccessfully trying to match the timeless power of Ayres's performance
The
Western Front
Part One of the Great War summaries, The Western Front gives an overview
of the fighting in France and Belgium between 1914 and 1918. Illustrated with
maps and a stereo image.(War Times Journal)
This story is neither an accusation nor a confession, and least of all an adventure for death is not an adventure to those who stand face to face with it. [This story] will try simply to tell of a generation of men who, even though they may have escaped its shells were destroyed by the war ....The movie is based on the novel by Erich Maria Remarque. There is a 1979 remake but the 1930 version is better.
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